Jobs For Medievalists

Director

Rome, Italy

Reports to: President & CEO

Supervises: Andrew W. Mellon Humanities Professor; Andrew Heiskell Arts Director; Drue Heinz Librarian and Head of Collections; and Deputy Director for Fellowships and Programs

Term: Three-year appointment, renewable. Start date August 2027

Founded in 1894, the American Academy in Rome is a leading American overseas center for independent study and advanced research in the arts and humanities. Each year, the Academy awards the Rome Prize to approximately 30 artists and scholars who join a dynamic, transdisciplinary residential community on the Academy’s eleven-acre campus on the Janiculum Hill—enriched further by invited Residents and Affiliated and Visiting Artists and Scholars, reaching a community of approximately 100 at any given time.

The Academy is led by the President & CEO, who sets its direction and serves as its chief fundraiser and public representative. A Chief Operating Officer manages the Academy’s business and administrative functions across Rome and New York. The Director is responsible for the daily intellectual and communal life of the residential community. The Andrew Heiskell Arts Director and Andrew W. Mellon Humanities Professor report to the Director and, together with the Director, constitute the Academy’s intellectual leadership team in Rome—the primary intellectual resources for the Rome Prize Fellows and the animating force behind the Academy’s scholarly and creative life.

Role

The Director is the on-campus figure responsible for managing the day-to-day intellectual and community life of the American Academy in Rome. This is a role for an artist or scholar of genuine distinction who is also, by inclination and experience, a community builder. The Director leads an intellectual team consisting of the Mellon Humanities Professor, Heiskell Arts Director, and Drue Heinz Librarian and Head of Collections.

The Director gives shape and texture to the residential community through programming and also through attention to the work of those in the community. The Director must be someone who understands that the conditions in which creative and scholarly work unfolds are themselves a form of institutional authorship. The Director works closely with the Deputy Director for Fellowships and Programs on implementation and budget.

As head of the community, the Director is also a connector, sounding board, and promotor of all the fellows’ work. These functions are two sides of the same coin because community creates trust; trust encourages risk-taking; and risk-taking produces the breakthroughs the Academy exists to generate.

The Director is the Academy’s public face in Rome: an intellectual and cultural diplomat who represents the institution in the city’s artistic, academic, and civic life.

Key Responsibilities

Intellectual Leadership and Support of the Fellows

  • Serve as the primary intellectual resource for Rome Prize Fellows across the full range of the Academy’s fellowship disciplines in the humanities (Ancient, Medieval, Renaissance, Early Modern and, Modern Italian Studies, as well as Conservation and Historic Preservation) and in the arts (Architecture, Design, Landscape Architecture, Literature, Musical Composition, and Visual Art), offering substantive engagement with Fellows’ work and the intellectual generosity that makes the Academy’s residential experience distinctive.
  • Work in close partnership with the Humanities Professor and Arts Director to ensure that the scholarly and creative life of the community reflects the Academy’s commitment to transdisciplinary excellence; stimulate dialogue and exchange among Fellows, Residents, and guests across disciplines.
  • Enrich Fellows’ experience of Rome through introductions to the city’s artistic and scholarly communities and maintain an active intellectual or creative practice within the constraints of the role.
  • Set an example to the community of what the life of the mind looks

Programming and Institutional Vision

  • In consultation with the President, shape and execute the Academy’s intellectual programming in Rome, ensuring events reflect the Academy’s transdisciplinary identity and the creative energy of each year’s residential community.
  • Serve as a member of the Board of Trustees in an ex officio capacity, contributing to governance discussions on matters of intellectual life, fellowship programming, and campus community.

Community Stewardship

  • Sustain the quality of communal life as a core institutional responsibility: attend meals with the residential community whenever possible; be present at evening and weekend programs; and be available to Fellows and Residents in the informal ways that matter most in a residential community.
  • Foster an environment of intellectual generosity, mutual respect, and creative risk-taking, upholding the Academy’s values of excellence without elitism, collaboration across disciplines, and responsibility to the broader public.
  • Entertain frequently and graciously, hosting Fellows, scholars, artists, Trustees, donors, institutional partners, and dignitaries, while also sharing on-call duties with staff, responding to emergencies as needed.

External Engagement and Institutional Representation

  • Represent the Academy in Rome’s cultural, academic, and civic life, building relationships with Italian scholars, artists, institutions, and government officials that deepen the Academy’s presence in the city.
  • Host visiting Trustees, donors, and prospects in coordination with the Development, Communications, Programs, and Executive Office teams; represent the Academy externally with leaders in the arts, academia, philanthropy, and government in Rome and beyond.

 

Qualifications

Required

  • A graduate degree and a record of outstanding professional achievement in one or more of the Academy’s Rome Prize Fellowship disciplines, with a body of published or exhibited work commensurate with high standing.
  • Demonstrated experience leading an educational, cultural, or arts institution—or a comparably complex organization—with a proven ability to build community, manage relationships across constituencies, and represent an institution with authority and grace.
  • Fluency in spoken and written Italian; the ability to operate effectively in Italian professional, cultural, and civic contexts is essential.
  • Exceptional intellectual generosity: the ability to engage substantively with creative and scholarly work across a wide range of disciplines and to support the work of others with genuine investment.
  • Superior interpersonal skills, with experience mentoring talented individuals, building trust across diverse communities, and navigating complex institutional relationships with tact, discretion, and judgment.
  • The social fluency and stamina to sustain a demanding public and communal role: comfort entertaining frequently and being present in community life.
  • Willingness to travel within Italy and between Rome and New York, and flexibility to work outside standard hours given the Academy’s evening and weekend programming, as well as its operation across time zones.

Preferred

  • Existing established relationships with Italian scholars, artists, and cultural and academic institutions in Rome; familiarity with the artistic and cultural landscape of Rome and Italy.
  • Experience living and working in Italy or another international context, with demonstrated cross-cultural fluency.
  • Experience interacting with institutional leaders, public officials, and board members, including those of foreign governments or international

 

Leadership Profile

The ideal candidate will be recognized by Fellows, colleagues, and peers in Rome for the following qualities:

  • Intellectual A scholar or artist of real distinction who commands respect across disciplines not because of institutional authority, but because they possess a mind worth engaging.
  • Disciplinary The capacity and genuine desire to engage with work far outside one’s own field, to ask a good question of a composer, to follow the argument of a historian, to understand the task of a conservator.
  • Community An intuitive understanding that the quality of communal life—the table, the conversation, the informal encounter—is not peripheral to the Academy’s mission but constitutive of it.
  • Executive clarity. The ability to translate the President’s vision for the Academy into a coherent, living program and exercising independent judgment within a shared institutional framework and working effectively alongside a leadership team whose domains are operations, fundraising, and communications.
  • Roman fluency. A genuine connection to Rome—its culture, its institutions, its rhythms—that allows the Director to move through the city as a participant rather than a visitor.
  • Mission An authentic belief in what the Academy does, why it matters, in the value of sustained individual creative and scholarly work, in Rome as an irreplaceable context for that work, and in the Academy’s unique role in American cultural life.

Compensation & Location

This position is based in Rome, Italy. The Director is provided with on-campus housing as a condition of employment, reflecting the residential nature of the role. Secondment appointments will be compensated in accordance with the terms of the secondment.

Salary range for direct employment is $130,000–$200,000, based on experience and qualifications. The Academy offers a comprehensive benefits package.

To Apply

Nominations and expressions of interest are welcome and will be held in strict confidence.

Candidates should submit a letter of interest of no more than two pages outlining their interest in the Academy and the contributions they expect to make to its mission, along with a current CV, and three references. Applications should be submitted to careers@aarome.org with the subject line “DIRECTOR” and will be reviewed on a rolling basis. Submission deadline is October 15, 2026.

The American Academy in Rome is an Equal Opportunity Employer. AAR believes that a diverse community makes for a stronger institution, and actively encourages applications from candidates of all backgrounds, identities, and lived experiences. We are committed to a hiring process that is equitable, inclusive, and free from bias.

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Jobs For Medievalists

Andrew W. Mellon Humanities Professor

Rome, Italy Reports to: Director

Term: Three-year appointment, renewable for up to two additional years. Start date August 2027

Founded in 1894, the American Academy in Rome is a leading American overseas center for independent study and advanced research in the arts and humanities. Each year, the Academy awards the Rome Prize to approximately 30 artists and scholars who join a dynamic, transdisciplinary residential community on the Academy’s eleven-acre campus on the Janiculum Hill—enriched further by invited Residents and Affiliated and Visiting Artists and Scholars, reaching a community of approximately 100 at any given time.

The Academy is led by the President & CEO who sets its direction and serves as its chief fundraiser and public representative. A Chief Operating Officer manages the Academy’s business and administrative functions across Rome and New York. The Director is responsible for the daily intellectual and communal life of the residential community. The Andrew W. Mellon Humanities Professor and the Andrew Heiskell Arts Director report to the Director and, together with the Director, constitute the Academy’s intellectual leadership team in Rome—the primary intellectual resources for the Rome Prize Fellows and the animating force behind the Academy’s scholarly and creative life.

Role

The Humanities Professor is a member of the Academy’s intellectual leadership team. This is a role for a humanist of genuine distinction—someone with a record of rigorous, imaginative scholarship, the range to engage with work across disciplines, and the commitment to place their intellectual life in service of a community.

The Humanities Professor works alongside the Director and the Arts Director to shape the Academy’s intellectual vision in Rome. Their primary institutional responsibility is to the Rome Prize Fellows: offering scholarly guidance, facilitating engagement with Rome’s academic and cultural communities, and helping Fellows make the most of their time at the Academy. The Humanities Professor also carries a distinctive set of institutional responsibilities—overseeing the Academy’s Classical Summer School, its archaeology initiatives, and its learned journal—that root the role in the Academy’s long scholarly traditions. For the Humanities Professor to fully embody the role the Academy needs them to be an active scholar working at the highest level. Both the Arts Director and the Mellon Professor are expected to engage generously with Fellows across the full breadth of the residential community.

Key Responsibilities

Intellectual Leadership and Support of the Fellows (60%)

  • Serve as a primary intellectual resource for Rome Prize Fellows across the Academy’s humanities disciplines—Ancient Studies, Medieval Studies, Renaissance and Early Modern Studies, Modern Italian Studies, and Historic Preservation and Conservation—offering scholarly guidance, substantive engagement with Fellows’ work, and mentorship calibrated to each Fellow’s stage of career and project.
  • Work in close partnership with the Director and the Arts Director to foster intellectual exchange across disciplines; encourage and facilitate dialogue among Fellows, Residents, Italian Fellows, and Affiliated and Visiting Artists and Scholars.
  • Facilitate introductions and sustained relationships between Fellows and their counterparts in Roman and Italian academic, cultural, and institutional life—in universities, foreign academies, and the wider scholarly community.
  • Design, organize, and lead site visits and longer trips in and around Rome, Italy, and the Mediterranean that deepen Fellows’ engagement with the material, historical, and cultural dimensions of their work.
  • May participate in the selection of Rome Prize and Italian Fellows, and assist as needed in the selection of Residents, Affiliated and Visiting Artists and
  • Conduct their own research and set an example for the Fellows of what a life of the mind could look like.

Programming and Institutional Vision (30%)

  • As a member of the Academy’s intellectual leadership team, contribute to the design and execution of programming that serves the institutional mission in close collaboration with the Director, the Arts Director, and Programs staff.
  • Serve as staff liaison to the Humanities Committee and Publications Committee of the Board of Trustees, and as primary point of contact for the Managing Editor of the Academy’s learned journal, Memoirs of the American Academy in Rome.
  • Oversee the Academy’s Classical Summer School, working closely with the Classical Summer School Director on program direction, pedagogy, itinerary development, participant selection, and alignment with the Academy’s
  • Oversee the Academy’s archaeology initiatives, including the Norton Van Buren Study Collection, affiliated archaeology projects, and the relationship with the Intercollegiate Center for Classical Studies.
  • Attend meetings of organizations where the Academy holds a board seat or institutional partnership, as necessary.

Community Stewardship and External Engagement (10%)

  • Maintain a visible and engaged presence in the life of the residential community—at meals, at internal and public events, in communal spaces—as an active participant in the community the Academy exists to sustain.
  • Represent the Academy in Rome’s scholarly and cultural communities; build and expand relationships with Italian universities, foreign academies, and other institutions that constitute the Academy’s network of advisors and partners.
  • Support fundraising efforts as

Qualifications

Required

  • A PhD in a humanities discipline, with a record of published scholarship commensurate with national or international standing in the field, and a minimum of five years of experience in one or more of the Academy’s humanities fellowship
  • Demonstrated intellectual generosity and disciplinary range: the ability and genuine desire to engage with scholarly and creative work across fields, and to design and lead programs that extend beyond one’s own area of expertise.
  • Fluency in spoken and written Italian; the ability to operate effectively in Italian academic, cultural, and civic contexts is essential.
  • Strong working knowledge of the artistic, archaeological, and cultural sites and institutions of Rome and Italy.
  • Proven ability to mentor scholars and artists at varying stages of career, with superior interpersonal skills and the ability to build trust across a diverse and talented community.
  • Demonstrated ability to represent an institution professionally—interacting diplomatically with Fellows, staff, board members, donors, institutional partners, and government officials.
  • Strategic thinking and organizational capability, with experience managing programs and working collaboratively across teams.
  • Flexibility to work outside standard hours given the Academy’s evening and

weekend programming, and willingness to travel between Rome and New York.

Preferred

  • Established relationships with scholars, institutions, and cultural organizations in Rome and Italy.
  • Experience with publication oversight, journal editing, or scholarly program
  • Familiarity with archaeological fieldwork, study collections, or related

Leadership Profile

The ideal candidate will be recognized by Fellows, colleagues, and peers in Rome for the following qualities:

  • Scholarly distinction. A humanist whose work commands genuine respect—whose presence at the Academy lends intellectual authority to the community and whose engagement with Fellows’ projects carries real weight.
  • Disciplinary range. The curiosity and capacity to engage substantively with work far outside one’s own specialty—to follow the argument of an architect, to ask a good question of a composer, to understand what a conservator is working
  • Institutional commitment. A genuine orientation toward community and collaboration—someone who finds meaning in supporting the work of others and understands that their role is as much about creating conditions for excellence as producing it themselves.
  • Roman fluency. A real connection to Rome—its scholarly landscape, its institutions, its rhythms—and the ability to move through the city’s academic and cultural communities as a trusted participant.

 

  • Mission conviction. An authentic belief in what the Academy does and why it matters—in the value of sustained individual scholarly and creative work, in Rome as an irreplaceable context for that work, and in the Academy’s unique role in American cultural life.

Compensation

Secondment appointments will be compensated in accordance with the terms of the secondment. Salary range for direct employment is $100,000–$200,000, based on experience and qualifications.

To Apply

Nominations and expressions of interest are welcome and will be held in strict confidence.

Candidates should submit a letter of interest of no more than two pages outlining their interest in the Academy and the contributions they expect to make to its mission, along with a current CV, and three references. Applications should be submitted to careers@aarome.org with the subject line “MELLON” and will be reviewed on a rolling basis. Submission deadline is October 15, 2026.

The American Academy in Rome is an Equal Opportunity Employer. AAR believes that a diverse community makes for a stronger institution, and actively encourages applications from candidates of all backgrounds, identities, and lived experiences. We are committed to a hiring process that is equitable, inclusive, and free from bias, and to building a leadership community that reflects the breadth of the artistic and scholarly traditions we support.

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Upcoming Conference – Rethinking Innocent IV and the Crusades: A Multidisciplinary Inquiry

Rethinking Innocent IV and the Crusades: A Multidisciplinary Inquiry

London (Hybrid)
24–25 September 2026
Room 1, Stewart House, Royal Holloway London Graduate School
32 Russell Square, London WC1B 5DN

The conference “Rethinking Innocent IV and the Crusades” offers a fresh assessment of the pontificate of Innocent IV (1243–1254) and its significance for the history of the crusading movement. Although often overshadowed by his predecessors, Innocent IV governed during a period of profound change, marked by the Mongol advance, renewed expeditions to the Holy Land, the expansion of crusading activity in the Baltic, and complex negotiations with secular rulers. His pontificate provides a unique perspective on the evolution of papal authority, crusading ideology, and the political, legal, and diplomatic transformations of the mid-thirteenth century.

Bringing together leading international scholars and early-career researchers, the conference will explore these themes through a multidisciplinary lens, drawing on papal history, theology, canon law, political thought, manuscript studies, and diplomatic history. Discussions will address topics including the Mongol threat, the organisation and financing of crusades, papal legal thought on infidels and jurisdiction, the role of papal legates, and the interaction between papal policy and regional politics across Europe and the Near East.

By fostering dialogue across disciplines, the conference aims to advance new perspectives on Innocent IV’s pontificate and its place within wider historiographical debates on the crusades and the medieval papacy.

Whether you are a specialist, an early-career researcher, a postgraduate student, or simply interested in medieval history, we warmly invite you to join us in person or online this September.

Hybrid event: attend either in person or online.

Register here:
https://zclg001.wixsite.com/rethinkinginnocentiv

For enquiries:
Alessandro.scalone.2018@live.rhul.ac.uk
Collette.firestone.2015@live.rhul.ac.uk

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Call for Papers – Holy Grail, Batman? Expanding Knowledge of the Grail Legends in Popular Culture

Holy Grail, Batman? Expanding Knowledge of the Grail Legends in Popular Culture (Online)

62nd International Congress on Medieval Studies, Western Michigan University (Kalamazoo, MI), Thursday, 13 May, through Saturday, 15 May, 2026

Co-sponsored by Alliance for the Promotion of Research on the Matter of Britain, Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Co-organized by Michael A. Torregrossa, Bristol Community College, and Carl B Sell, University of Pittsburgh

Rationale

The Holy Grail remains a powerful symbol in the post-medieval world; however, while its story continues to feature across popular culture, scholarship tracing its manifestations within mass media remains limited. Previous studies have concentrated predominantly on fiction and film, but the Grail legends extend into many other forms.

Using Richard Barber’s The Holy Grail: Imagination and Belief (2004), James B. Marino’s The Grail Legend in Modern Literature (2004), Juliette Wood’s Eternal Chalice: The Enduring Legend of the Holy Grail (2008) and Holy Grail: History and Legend (2012), and contributions to the collections The Grail: A Casebook (2000), Perceval/Parzival: A Casebook (2002), The Grail, the Quest, and the World of Arthur (2008), and The Holy Grail on Film: Essays on the Cinematic Quest (2015) as starting points, we seek in this session to expand our knowledge of the Grail’s presence in modern media.

Our objective is twofold. Linking past research and present texts, we ask panelists to share information about additional media (such as anime, bandes dessinées, comics, games, genre fiction, manga, memes, picture books, streaming video, and television programming) to help enlarge the corpus of Grail texts. In addition, we hope their presentations will also demonstrate a widening of the chronological and geographical scope of research on modern use of the Grail legends beyond the range of previous scholarship to illustrate the distribution of these stories across time and space, attesting to the prolonged global spread of these stories.

Topics might include representations of the Grail and/or legends about the Grail in any form of modern media, as well as depictions of Grail keepers (such as the Fisher King) and Grail seekers (including Bors, Galahad, Perceval, and Perceval’s sister, in addition to other questors) in similar texts.

We are especially interested in seeing submissions on the following:

  • Arvid Nelson’s Rex Mundi
  • Big Bang Comics’ Galahad and Kid Galahad
  • Colleen Doran’s Chivalry, adapted from the work of Neil Gaiman
  • Colleen Doran’s A Distant Soil
  • Elaine Lee’s Indiana Jones and the Spear of Destiny
  • Four Knights of the Apocalypse
  • Greg Weisman’s Gargoyles
  • The History Channel’s Knightfall
  • Hugo Pratt’s Corto Maltese: The Secret Rose
  • Image Comics
  • Jean-Pierre Pécau’s The Secret History
  • Jed MacKay’s Avengers
  • Kieron Gillen’s Once and Future
  • Lloyd Alexander’s The Black Cauldron and the Disney film adaptation
  • Malcolm Guite’s Galahad and the Grail
  • Marvel Comics
  • Matt Wagner’s Mage series
  • Merlin TV series
  • Mike Barr’s Camelot 3000
  • Mike Mignola’s Hellboy
  • Craig Russell’s Parsifal
  • Preacher comics
  • Sailor Moon
  • Stargate franchise
  • Tainted Grail

We are not currently seeking proposals on the Grail in the DC universe, Fate/stay night, Slaine, and vampire/zombie fiction, as well as representations of Galahad in Golden Age comics. (This list will be expanded as more submissions come in.)

Submission Information

Please post paper submissions into the Confex site using the direct link https://icms.confex.com/icms/2027/prelim.cgi/Session/8804.

Do send any questions to the organizers at medievalinpopularculture@gmail.com. Submissions are due no later than 15 September 2026.

For this event, individuals are invited to make ONE paper proposal to ONE session of papers: either the sponsored or special sessions OR the general sessions. You may propose an unlimited number of contributions to roundtables, but you will not be scheduled to actively participate (as paper presenter, roundtable discussant, poster author, presider, respondent, workshop leader, demonstrator, or performer) in more than six sessions. See the conference’s policies page for more information at https://wmich.edu/medievalcongress/policies-guidelines.

Please be aware that those accepted to the panel must register for the conference in order to present. Past registration costs can be viewed at https://wmich.edu/medievalcongress/registration. The International Congress on Medieval Studies does offer limited funding as travel awards and subsidized registration costs; details are available at https://wmich.edu/medievalcongress/awards.

For more information about the Alliance for the Promotion of Research on the Matter of Britain, do check out our website, King Arthur Forever: The Matter of Britain Lives: https://kingarthurforever.blogspot.com/.

For more information about the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, do check out our website, Mass Mediævalisms: The Middle Ages of Popular Culture: https://medievalinpopularculture.blogspot.com/.

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Jobs For Medievalists

Marketing Specialist

Medieval Institute Publications (MIP), based in Kalamazoo, MI, is looking for a part time Marketing Specialist who will develop and implement marketing, promotion, and communication strategies for the department under general supervision. Oversees marketing for all Medieval Institute Publications titles; coordinates editorial and administrative tasks, including peer review processes, metadata management, rights and permission records, and paperwork for freelancers. Maintains three websites and an active social media presence for Medieval Institute Publications, the Medieval Institute, and the International Congress on Medieval Studies.

Major Duties

– Develops or assists with development of promotional materials and designs for marketing projects utilizing a variety of tools.
– Coordinates development of marketing and communication material and develops copy.
– Writes and proofs promotional material, reports and publications, press releases, web and social media content.
– Translates message points into clear communication and meets well-defined communication objectives.
– Gathers information and data for various marketing and communication initiatives.
– Coordinates marketing communication activities.
– Assists with planning and execution of various events.
– May approve advertising within budget parameters.
– May be responsible for special projects or operational services.
– May supervise student employees.

Qualifications

Minimum

– Bachelor’s degree in related field from an accredited institution.
– One year’s relevant experience.

Desired

– Master’s degree in Medieval Studies or related field from an accredited institution.
– Two years relevant experience.
– Exposure with Microsoft Office, Adobe Creative Suite, and Canva.

For more information, and to apply before deadline of July 31, 2026, please see https://www.wmujobs.org/postings/5624

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Call for Papers – Saints Outside Hagiography Leeds

The Saints Outside Hagiography online workshop has been an illuminating and generative space to explore the many ways people encounter and create holy figures and their lives.

To further these discussions, we plan to host a panel series at the 2027 International Medieval Congress, co-sponsored by the Hagiography Society, to go deeper into some of our initial source explorations and make new connections between scholars interested in saints, hagiography, and their contexts.

We invite proposals for 15-20 minute conference papers on the broad theme of ‘Saints Outside Hagiography’, especially those that align with the IMC theme for 2027 of ‘Communities’.

Some potential areas of interest:

  • Construction of saints by their communities in ways other than the writing of vitae
  • Saints’ liturgies and their uses
  • Saints as mechanisms of inclusion and exclusion
  • Material records of saints and sanctity
  • Saints as part of assemblages and human/non-human networks
  • Saints in chronicles and other history writing
  • The role of medieval saints in modern academic and other communities
  • The presence of saints in modern medievalisms or similar media

But feel free to propose anything related to the overall theme of understanding saints outside the standard hagiography form.

To submit a proposal, please fill out this form by 15 September 2026: Saints Outside Hagiography Leeds IMC 2027 Call for Papers – Paper Proposals – Fill out form

To propose a paper, you will need to include:

  • Paper title and 100 word abstract
  • Name and institutional affiliation if any
  • Preferred presentation mode (in person or virtual)
  • IMC index terms (included in the form)

In case of any questions, or to send your paper proposal by email (in Word or PDF format), please email Alicia Smith (alicia.smith@uib.no) and Laura Moncion (laura.moncion@philosophie.uni-tuebingen.de).

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Call for Sessions: Mary Jaharis Center Sponsored Panel, 2027 International Medieval Congress

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 2027 International Medieval Congress, University of Leeds, July 5–8, 2027. We invite session proposals on any topic relevant to Byzantine studies.

The thematic strand for the 2027 IMC is “Communities.” See the IMC Call for Papers (https://www.imc.leeds.ac.uk/imc-2027/) for additional information about the theme and suggested areas of discussion.

Session proposals must be submitted through the Mary Jaharis Center website (https://maryjahariscenter.org/sponsored-sessions/imc-2027). The deadline for submission is September 7, 2026.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $800 maximum for participants traveling from within Europe and up to $1400 maximum for those traveling from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement. Participants must participate in the conference in-person to receive funding. The Mary Jaharis Center regrets that it cannot reimburse participants who have last-minute cancellations and are unable to attend the conference.

For further details and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/imc-2027.

Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

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Call for participants: Studying East of Byzantium XIII: Centers and Hubs

The Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA, are pleased to invite abstracts for the next Studying East of Byzantium workshop: Studying East of Byzantium XIII: Centers and Hubs.

Studying East of Byzantium XIII: Centers and Hubs is a three-part workshop that intends to bring together doctoral students and very recent PhDs studying the Christian East to reflect on the usefulness of the concept of “Centers and Hubs” in studying the Christian East, to share methodologies, and to discuss their research with workshop respondents, Muriel Debié, École pratique des hautes études (EPHE), Sorbonne, PSL, and Nicholas Matheou, University of Edinburgh. The workshop will meet on 9 October 2026, 12 February 2027, and 3–4 June 2027 on Zoom. The timing of the workshop meetings will be determined when the participant list is finalized.

We invite all graduate students and recent PhDs working in the Christian East whose work considers, or hopes to consider, any aspect of cities, religious centers, and intellectual hubs (and intersections thereof) in their own research to apply.

Participation is limited to 10 students. The full workshop description is available on the East of Byzantium website (https://eastofbyzantium.org/upcoming-events/studying-east-of-byzantium-xiii-centers-and-hubs/). Those interested in attending should submit a C.V. and 200-word abstract through the East of Byzantium website no later than 13 September 2026.

For questions, please contact East of Byzantium organizers, Christina Maranci, Mashtots Professor of Armenian Studies, Harvard University, and Brandie Ratliff, Director, Mary Jaharis Center for Byzantine Art and Culture, at contact@eastofbyzantium.org.

EAST OF BYZANTIUM is a partnership between the Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA. It explores the cultures of the eastern frontier of the Byzantine Empire in the late antique and medieval periods.

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IAS School of Historical Studies: Call for Applications: 2027-28 Membership

School of Historical Studies

The School of Historical Studies supports scholarship in all fields of historical research but is concerned principally with the history of western, near eastern and Asian civilizations, with particular emphasis on the Greek and Roman world, the history of Europe (medieval, early modern, and modern), the Islamic world, East Asian studies, art history, history of science, and musicology.

Application Deadline: October 15, 2026

Dates of Membership:

Term I: September 20 – December 17, 2027

Term II: January 10 – April 14, 2028

Membership Eligibility Requirements:

  • Applicants must hold a Ph.D. or equivalent, awarded no later than July 31, 2026.
  • Scholars are expected to reside at the Institute for Advanced Study or in the Princeton area during the term(s) of their Membership.

Application Requirements:

  • A completed online application
  • Curriculum vitae
  • Research proposal (maximum 1,500 words)
  • One-page bibliography related to the proposal
  • Three writing samples, published or in proofs, from peer-reviewed sources
  • Two reference letters (only required for applicants who received their Ph.D. in 2020 or later)

Funding:

  • Up to $40,000 for a single term and $80,000 for a full academic year.
  • A limited reimbursement for travel expenses to incoming Members from outside the Princeton area.

ELIGIBLE SCHOLARS MAY SIMULTANEOUSLY APPLY FOR ONE OF THE TWO FELLOWSHIPS:

Mellon Fellowship for Assistant Professors:

  • Received their Ph.D. between January 1, 2020 and July 31, 2026.
  • Currently Assistant Professors at a college or university in the U.S. or Canada.
  • Able to return to their current institution after the fellowship.

Postdoctoral Fellowship:

  • Received their Ph.D. degree between July 1, 2024 and August 31, 2026.
  • One opening for a scholar in the field of Medieval Studies.
  • Two openings for scholars in the field of Europe & the World post 1800.
  • At least one writing sample published in a peer-reviewed source.
  • Annual stipend of $75,000, with the possibility of a renewed contract for the 2028-29 academic year.

For Further Information:
Membership application: https://www.ias.edu/hs/membership
The Institute for Advanced Study: https://www.ias.edu/about
Funding: https://www.ias.edu/hs/fundingsources
For all other inquiries, email hsappquery@ias.edu

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Call for Papers IMC 2027 – Enviro-Political Ecologies of the Medieval City

For the 2027 meeting of the International Medieval Congress in Leeds, we welcome proposals for papers addressing the overlaps and frictions between the material and the political in the “ecologies” of the medieval city from roughly 1000 to 1500.

As urban growth and urban governance proceeded apace in the High and Late Middle Ages, newly self-conscious urban communities confronted the complex relationships between collective good and collective action. Cities and towns negotiated these relationships in both civic action and civic discourse; recently, scholars have begun to explore what may be called the “ecologies” of life in the medieval city as extending beyond the material and into the political. In the latter centuries of the Middle Ages, efforts to institute idealized civic socio-political projects met the challenges and ambiguities of urban topography, demography, and their attendant necessities. We will consider papers from a wide variety of fields (including environmental history, art history, political history, literary criticism, archaeology, and anthropology) and we are open to proposals on cities and towns in Europe and the greater Mediterranean world. Scholars whose research addresses the tensions and anxieties present in urban life are particularly encouraged to submit proposals.

Please submit a paper abstract (no more than 250 words) along with a proposed title for your paper as well as your full name and academic affiliation to dmorgan9@una.edu. We will begin consideration of proposals September 4th.

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