MAA News – Upcoming Deadlines

Deadline: 31 December 2020:
Inclusivity and Diversity Research Grant.
This research grant of up to $3,000 will be awarded annually to a scholar who seeks to pursue innovative research that will broaden the scope of medieval studies. Applications for the 2021 Grant must be submitted by 31 December 2020. Click here for more information.

Deadline 15 February:
Belle Da Costa Greene Award (deadline 15 February)
The Belle Da Costa Greene Award of $2,000 will be granted annually to a medievalist of color for research and travel. The award may be used to visit archives, attend conferences, or to facilitate writing and research. The award will be granted on the basis of the quality of the proposed project, the applicant’s budgetary needs (as expressed by a submitted budget and in the project narrative), and the estimation of the ways in which the award will facilitate the applicant’s research and contribute to the field. Special consideration will be given to graduate students, emerging junior scholars, adjunct, and unaffiliated scholars. Click here for more information. Click here to make a donation in support of the Greene Award.

Olivia Remie Constable Award (deadline 15 February):
Four Olivia Remie Constable Awards of $1,500 each will be granted to emerging junior faculty, adjunct or unaffiliated scholars (broadly understood: post-doctoral, pre-tenure) for research and travel. Click here for more information.

MAA Dissertation Grants (deadline 15 February):
The nine annual Medieval Academy Dissertation Grants support advanced graduate students who are writing Ph.D. dissertations on medieval topics. The $2,000 grants help defray research expenses. Click here for more information.

Schallek Awards (deadline 15 February):
The five annual Schallek awards support graduate students conducting doctoral research in any relevant discipline dealing with late-medieval Britain (ca. 1350-1500). The $2,000 awards help defray research expenses. Click here for more information.

MAA/GSC Grant for Innovation in Community-Building and Professionalization (deadline 15 February):
The MAA/GSC Grant(s) will be awarded to an individual or graduate student group from one or more universities. The purpose of this grant is to stimulate new and innovative efforts that support pre-professionalization, encourage communication and collaboration across diverse groups of graduate students, and build communities amongst graduate student medievalists. Click here for more information.

Applicants for these and other MAA programs must be members in good standing of the Medieval Academy. Please contact the Executive Director for more information about these and other MAA programs.

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MAA News – Renew Your MAA Membership for 2021

Dear fellow medievalists,

In times of crisis we must all work together, and this is especially true in a time of multiple crises. This is why we are asking you to renew your membership in the Medieval Academy of America for 2021. While many of our events and activities are accessible to all, you must be a member in good standing to apply for one of the many grants and fellowships given out by the Academy, to speak at the Medieval Academy Annual Meeting, or to participate in its governance. We rely on you to keep the Medieval Academy going and enable us to continue to offer the support, both practical and intellectual, that makes us a community.<

Joy Connolly, President of the American Council of Learned Societies, joins us in stressing the importance of intellectual communities, especially in the current environment, and while she stresses the repercussions of the current situation on academic life, she also addresses those of us who work outside of academia in one of the many jobs that we have showcased in our recent initiatives.

COVID-19 has created hardship and unprecedented uncertainty for American academia. No individual faculty member or department or even self-organized group is in a position to cope effectively with its consequences, like the closure of entire departments or programs in the humanities and social sciences, already in the news each week and likely to increase in frequency. Nor is the individual professor or department or school best placed to respond to larger cultural crises like the decline of public trust in colleges and universities. […]

At this moment, professional academic societies – communities defined by the pursuit of knowledge – provide community for scholars of all kinds: contingent faculty, tenured faculty, scholars working outside the university, students in college and graduate school, and a diverse range of people who value and support research and teaching.

Trying to go it alone isn’t an option right now. For academia to survive COVID-19, we need communities without borders that bridge scholars in all situations of life and employment. […] Societies speak the loudest and do the most when they can point to a large, inclusive, active membership.

We invite you to join us.

Medieval Academy membership brings other benefits, such as:
– a subscription to Speculum, our quarterly journal
– online access to the entire Speculum archive
– access to our online member directory
– publication and database discounts through our website

You can easily pay your dues and/or make a donation through the MAA website where, after you sign into your account, you can also adjust your membership category if necessary. Please consider supplementing your membership by becoming a Contributing or Sustaining member or by making a tax-deductible donation as part of your end-of-year giving. Such gifts are crucial because they help subsidize lower membership rates for student, contingent, and unaffiliated medievalists and also support our grant-making programs. In order to make membership more affordable for those in financially precarious circumstances, we have recently revised our dues structure.

You may also wish to remember the Academy with a bequest as a member of our Legacy Society (for more information, please contact the Executive Director).

During the COVID-19 lockdown, the Medieval Academy was able to redirect resources to host webinars on the latest Black Death research, working beyond academia, and race & racism in our classrooms and in our field. All of these webinars were recorded and can be viewed here. Thanks to prudent stewardship by our governance, we also increased support of members in 2020, especially student, independent, and contingent scholars, and expanded programming in support of medievalists of color and of medievalists working in various professional contexts. We will soon be launching an online course for K-12 educators on Africa and Africans in the Middle Ages, co-sponsored by the National Humanities Center. As we work towards a more expansive Middle Ages, we are also working to build a more inclusive Medieval Studies. We sincerely hope that you will renew your valued membership in the Academy as we continue this work in 2021. Your membership dues make such programming possible.

When you renew, please take a few minutes to update your profile page so that members with similar interests can find you, and you can find them. You can also check a box to indicate your interest in serving on a Medieval Academy committee or reviewing for Speculum. Your profile page now includes an option to indicate gender and racial/ethnic identity. This information will not be visible to other members, but it will help the Academy immensely as we strive to increase our understanding of member demographics and work to improve diversity and inclusivity in Medieval Studies. If you have forgotten your username and/or password, please contact us for assistance.

Thank you for your support. We look forward to working with you in 2021 and hope to see you (albeit virtually) at the Annual Meeting of the Medieval Academy of America on 15-18 April at Indiana University, Bloomington.

Renate Blumenfeld Kosinski, President
Lisa Fagin Davis, Executive Director

p.s. if you have already renewed, please ignore this message and accept our thanks!

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MAA News – Apply to Join the MAA’s Graduate Student Committee

The Medieval Academy of America is currently accepting self-nominations for vacancies opening up on the Graduate Student Committee (GSC) for the 2020-2022 term. The GSC comprises six members appointed for a two-year term on a rotating basis. There are three openings to be filled. Self-nominations are open to all graduate students, worldwide, who are members of the MAA and have at least two years remaining in their program of study.

The GSC represents and promotes the participation of graduate student medievalists within the MAA and the broader academic community. In addition to fostering international and interdisciplinary exchange, the GSC is dedicated to providing guidance on research, teaching, publishing, professionalization, funding, and employment, as well as offering a forum for the expression of the concerns and interests of our colleagues. Our responsibilities, thus, include organizing pre-professionalizing panels and social events annually at ICMS Kalamazoo, the MAA Annual Meeting, and IMC Leeds. We also run a successful and popular Mentorship Program that pairs graduate students with faculty to discuss any aspect of our profession such as teaching, publishing, finding a successful work/life balance, maneuvering the job market, and more. In addition, we seek to bring together graduate students through virtual communities such as the growing Graduate Student Group on the MAA website, Facebook, Twitter, the med-grad listserv, and a regular newsletter.

GSC members are asked to attend the Committee’s annual business meeting at Kalamazoo (either in person or virtually) for the duration of their term and to communicate regularly with the group via email and virtually. Ideal applicants are expected to work well both independently and as part of a team in a collaborative environment. Previous experience with organizing conference panels and social events, as well as facility with social and digital media are not required, but may be a benefit.

Interested applicants should submit the following by January 15, 2021:

The Self-Nomination Form;
– A brief CV (2 pages maximum) uploaded as part of the Nomination Form;
– A recommendation letter from your faculty advisor, sent to the Executive Director of the Medieval Academy by mail or (preferably) as a PDF attachment (on letterhead with signature), to LFD@TheMedievalAcademy.org.

New members will be selected by the MAA’s Committee on Committees (in consultation with the current GSC) and confirmed by the Council of the Medieval Academy at the (virtual) 2021 Annual Meeting hosted by Indiana University, Bloomington, 15-18 April. If you have any questions, please contact us at gsc@themedievalacademy.org.

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MAA News – Holiday Office Closure

The Medieval Academy office will be closed from Thursday, December 24 – Monday, January 4. We wish you a restful and joyous holiday season and look forward to working with you in 2021.

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Giving Tuesday: Medieval Academy of America Annual Fund

Medieval Academy of America
2020 Annual Fund

Dear colleagues,

We have all faced difficult challenges in 2020. Many of us are dealing with health issues, financial precarity, a shallow job market, or loss of travel and research funds. The move to online presentation, research, and pedagogy has been difficult and complex, but medievalists have met those challenges with their usual creativity, resilience, and innovation. The landscape of Medieval Studies is more dynamic than ever, rich with the voices of scholars of all identities, disciplines, and areas of specialty. As the largest organization of medievalists in the world, the Medieval Academy of America has responded to the challenges of 2020 with public advocacy, expanded programming, and increased support of our members.

In 2020, we disbursed nearly $100,000 in support for student, contingent, and unaffiliated scholars. But our work is only possible when our community of supporters comes together to drive our mission forward. On this Giving Tuesday, we hope you will partner with the Medieval Academy of America to continue and expand our work through your 2020 end-of-year giving.

Your donation to the Medieval Academy of America matters. Thanks to your generosity this year, we were able to avoid a financial loss at the Annual Meeting. One member’s extraordinary gift paid the membership dues for nearly half of our members. Another funded honoraria for presenters in our webinar series. Your donation supports the critical work that is at the heart of our mission. Many of our members receive little to no institutional support, and donations from supporters like you enable us to expand funding and programming for contingent faculty, scholars working beyond academia, students, and junior scholars, with travel grants, research funding, and publication subsidies.

With your help, we will be able to continue our work in 2021 and beyond, strengthening Medieval Studies and supporting medievalists in North America and around the world. Please make a donation today.

https://medievalacademy.org/donations/

Renate Blumenfeld-Kosinski, President
Lisa Fagin Davis, Executive Director

p.s. If you have already made a donation, please accept our thanks for your support!

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Continuing Blog Post Series: Medievalists Beyond the Tenure Track – First and Foremost, a Medieval Manuscripts Cataloguer

Laura Light is the Director and Senior Specialist of Text Manuscripts at Les Enluminuresa gallery that specializes in selling medieval manuscripts and art from the Middle Ages. Laura is based in Boston.

First and Foremost, a Medieval Manuscripts Cataloguer

I attended UCLA from 1978 until 1985, when I left to work at the Houghton Library, Harvard University’s main rare book and manuscript library. At that point, my dissertation was almost complete, and that is the way I would still describe it, all these decades later. I realize that many academics may assume that the fact that I never completed my PhD was the circumstance that defined my career (I certainly have friends that probably believe that).  But it wasn’t, or at least I don’t see it that way.  Much more important in determining my career path, was my desire to work with medieval manuscripts all the time – not with manuscripts relevant to particular research projects on occasional (or even frequent) research trips to Europe, but with all sorts of manuscripts, every day, a desire that led me to choose a career as a manuscripts cataloguer.

For me, especially at this point in my life (do the math), the lack of a PhD does not seem very important.  But my years in graduate school, including the research and writing of my almost-finished dissertation under the incomparable guidance provided by Richard Rouse, certainly are relevant, since they were admirable training for my chosen career path, not as university teacher, but as a cataloguer of medieval manuscripts.   As I mentioned, my first real job was at Houghton Library at Harvard.  Those were heady days for manuscript cataloguing in the United States, when libraries recognized that providing the scholarly community with detailed, academic descriptions of their medieval manuscripts was an essential part of their mission.  Funded in part by the NEH, and inspired by the catalogues produced in England by Neil Ker and in Germany under the auspices the Deutsche Forschungsgemeinschaft, libraries such as the Huntington Library in California and Yale’s Beinecke Library, to name two of the earliest, embarked on ambitious cataloguing projects, culminating in published catalogues by Consuelo Dutschke and Barbara Shailor that are enduring works of scholarship used by the entire international medieval community.  When I learned that Harvard was beginning a NEH-sponsored cataloguing project, I did not hesitate to apply.  My years at Houghton proved to be challenging, but very satisfying. I was working with a wonderful collection and supported by colleagues who were endlessly generous with a then young, and still inexperienced scholar, albeit one with the right “tools” for the job (training in languages, paleography, and codicology).   And I learned an amazing amount.  Ultimately, there is no better path to being a confident and expert scholar of medieval manuscripts than writing descriptions of them day after day.

At Houghton I was hired to describe their medieval manuscripts, and to write a published catalogue.  This ensured that I spent almost all my time researching and writing about manuscripts in the collection.  Unfortunately, it is very hard to find employment as a medieval cataloguer in a library in the United States today, although opportunities come up from time to time.  The idea of government sponsored funding of medieval cataloguing projects through the NEH proved to be relatively short-lived. And academic cataloguing, medieval or otherwise, is sadly undervalued in many libraries today.

But I am still cataloguing.  When the project at Houghton came to an end due to a lack of funding, after a hiatus, I began working instead for Sandra Hindman at Les Enluminures, a gallery that specializes in selling medieval manuscripts (as well as other art from the Middle Ages).  Working for “the trade” might at first seem to be a major change from working in an academic library.  But working for Les Enluminures is not.  The descriptions I write now for our manuscripts are as detailed and “academic” as the descriptions that I once wrote for Houghton, although they are presented in a different format and are rather chattier, since our goal is not only to describe our manuscripts, but also to provide context that explains why they are interesting. Most people who sell rare books and manuscripts are experts in their fields who devote lots of time to describing their books; it is an essential part of their job.  The pronounced focus on scholarship at Les Enluminures, however, certainly reflects Sandra Hindman’s own background as a published scholar and professor of art history at Johns Hopkins and Northwestern.

During my early years working for Sandra, I was a freelance consultant, paid for each description I completed.  The job has evolved (and I have evolved with it), and I now work for Les Enluminures full-time overseeing our text manuscript site (www.textmanuscripts.com).  Most of our clients are librarians working in special collections at colleges and universities across the U.S. and Canada.  It is fun to get to know collections, identify good potential “homes” for our manuscripts, and show prospective clients why a particular manuscript is appropriate.  I work on exhibitions at our galleries, travel to antiquarian book fairs, write about our manuscripts in print and for our blog (and these days spend time presenting material on zoom), and supervise our freelance cataloguers. I am involved in the process of identifying new inventory for the gallery to buy.  In short, my job now involves many activities, but I still describe a good number of manuscripts myself each year, and find it just as satisfying as it was when I started at Houghton.

For people looking beyond academia, becoming expert in a skill opens doors.  I was fortunate in having good training and experience with manuscripts during graduate school, and very fortunate to have had the opportunity to work at Houghton, immersed in manuscripts.  This background enabled me to continue my work with manuscripts at Les Enluminures, and ultimately led to new career, one that I never dreamt of in graduate school.

Laura Light, Les Enluminures

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Continuing Blog Post Series: Medievalists Beyond the Tenure Track – A Medievalist in the Stacks

Dr. Matthew Z. Heintzelman is the Curator of Western European Collections & Special Collections at the Hill Museum and Manuscript Library, a position he has held since 2004. He was awarded a MA and PhD from the University of Chicago, in Germanic Studies and later earned a MLIS from the University of Iowa, Iowa City. He has presented and published widely and has curated more than nine exhibitions for HMML since 2015.

A Medievalist in the Stacks

Finding your path

Father Oliver Kapsner, OSB, the founding director of the Hill Museum & Manuscript Library (HMML) once described his initiation to library work as follows: “The career began one month after completing the novitiate in July 1923 when Abbot Alcuin Deutsch, like myself, out for a morning stroll after breakfast, called me: ‘Father Oliver, come here.  I want you to work in the library.’”

Father Oliver went on to spend more than four decades working in libraries, both at Saint John’s University and elsewhere, capping this with several years leading HMML’s microfilming project in Austria (1965-1972).

For most of us—who are not members of a monastic community—such clear-cut occupational direction is an extremely rare commodity. In my own case, a path through medieval studies only converged with librarianship after several years of educational and professional twists and turns. The following account—somewhat unremarkable in itself—relates only one path to alternative careers for medievalists. There are countless more.

Upon entering college in the mid-1970s, I needed to discern a major field of study. Being a rather practical person, I decided on German, which I had just begun to learn, after four years of learning Spanish in high school. While not the most promising major from the standpoint of earning an income, language studies did offer a means to nourish secondary interests in history and cultural exchange. But what does one do as a language major?

Teach or translate

Over the course of my undergraduate years, I frequently heard the assertion that language majors had two professional options: teach or translate. You either studied to become the eventual replacements for your own teachers, or you toiled in the free-lance world of translation, primarily business translation. During the time I was in college, it happened that a large German pharmaceutical corporation bought out a local company, which led to an alternative suggestion that I should take courses in business German and pursue a lucrative position in private industry.

After some consideration, I recognized that one of my fatal flaws was a lack of interest in corporate profit and business practices. It was apparent to me that my motivation lay more in learning about cultural history than selling product. Of course, had I opted for a career with a German corporation, I would likely be wealthier now and probably retired.

Suffice it to say that upon graduation from college, I was still unclear what one does with a major in German language and literature. So, of course, I entered graduate school in German studies at the University of Chicago.

Becoming a “medievalist”

Given the opportunity at Chicago to focus my attention on German, my research interests soon settled on medieval German literature: Wolfram von Eschenbach, Gottfried von Strassburg, Walther von der Vogelweide, the Nibelungenlied, and especially religious drama.

During my many years in graduate school, I did have the opportunity to try both teaching (English in Vienna and German in Chicago) and translation (with a computer-aided translation company). There were many things about each that I found exciting and frustrating.

After taking two years off to teach English in Austria (where I visited many medieval sites, including libraries, churches and monasteries), I returned to graduate school. Taking time away from studies to earn a living became a pattern that prolonged my graduate studies in the 1980s and 1990s.

During my second, longer break from studies (mid 1980s), I worked in a translation bureau where I gained some initial experience with computers (anyone remember DOS?). Unfortunately, the (mis)management at this company dampened any enthusiasm for the business world.

Returning to graduate school in the late 1980s, I soon found I still needed an outside income and accepted a low-level, part-time position at the University of Chicago library. This proved to be a critical moment in my search for direction as a German major with a focus on medieval studies. Over the course of eight years at the library, I held four different positions. Each new job brought higher pay, more responsibility, and new learning opportunities. The last of these positions was overseeing the rare-book office in the special collections department. With this, I had embarked on a professional path that I found exciting and which appealed to my innate curiosity.

Moving on

After serving in special collections for about one and a half years, I had to give up my position at the library to follow my wife’s job. We moved to another state, where I spent three years as a stay-at-home dad, while completing my PhD dissertation and investigating library science programs. My hope was to solidify my knowledge of how libraries function, cataloging unusual materials, and supporting the study of rare books and manuscripts.

In 2000, I completed my dissertation on late-medieval German religious drama and after graduating that June, I applied to the University of Iowa to pursue the MLIS (Master of Library and Information Science). I imagined myself moving into a role as subject-area specialist in a college or university library.

A few months later, in January 2001, I was officially received into the MLIS program. About that same time, I was approached by a fellow student from the library school, who was about to graduate. In conducting his own job search, he happened upon a posting for a position in Minnesota that called for

  • Fluency in German
  • A degree in medieval studies
  • Experience with rare books and manuscripts
  • Emphasis on service in a library (i.e., not a teaching situation)

His comment to me was that he could not think of anyone else who matched this description, except me.

I was a bit flabbergasted, as my thoughts in 2001 were centered on finishing library school (which I had barely begun) and I was not actively searching for a job. In the end, however, I did apply for this opening at the HMML, was hired, and moved to Minnesota in July of that year.

Results

The past 19 years at HMML have not always been smooth, but I cannot imagine any other job—whether in teaching or library work—could have matched my interests so closely. In my work as a curator for western manuscripts, I support scholars in their use of nearly 50,000 medieval and early modern manuscripts on microfilm from Austria, Germany, and Switzerland. In curating the library’s own collections, I have cataloged about 9,000 rare printed books (15th-20th century) and provide access to a very wide range of fascinating materials from around the world.

Other perks of the job have included the opportunity to meet with classes, curate exhibitions, represent the library at major conferences on medieval studies, and much more. Working in a multicultural collection like that at HMML has enabled me to learn about manuscripts and books from traditions I had never encountered previously.

In sum, it still amazes me that my path contains so many elements that other medievalists would share—interest in other languages, computer skills, search for knowledge, etc. In that sense, my path has been somewhat unremarkable. And yet, at every stage of my studies, I have been able to acquire skills and knowledge that directly supported the next advance in my work.

Matthew Z. Heintzelman, Hill Museum and Manuscript Library

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Call for Papers – Cultures of Travel: Tourism, Pilgrimage, Migration

The Fifteenth International Conference of the Taiwan Association
of Classical, Medieval and Renaissance Studies (TACMRS)
22–23 October 2021
National Taiwan Normal University
Taipei (Taiwan)

Call for Papers
Cultures of Travel: Tourism, Pilgrimage, Migration
Traveling has become a natural part of modern life. As a result of the world­wide crisis caused by the COVID-19 epidemic in 2020, however, it is no longer a self-evident right to move from one country to the other or even to travel within national boundaries. The conference intends to offer an opportunity to reflect critically upon the history and nature of human mobility, exploring physical and intellectual traveling as ways of investigating unknown territories, cultural exchange, and spiritual or religious experience.

Human migration, whether by choice or involuntarily, is as old as humankind itself. Since time immemorial, epic records of various cultures explored the reasons and effects of migratory movements in history, myth, and religion, from the impacts of the sack of Troy in Greco-Roman literature to the events recorded in the Book of Exodus.

Dating back to antiquity, the positively connoted act of cultural traveling reached its first zenith during the Renaissance and Enlightenment. Albrecht Dürer’s traveling across the Alps, motivated by both artistic curiosity and economic interests, signifies the exceptional cross-fertilization of ideas between Northern and Southern Europe. Young members of the British upper class used later to undertake the legendary Grand Tour to the Continent in order to widen their horizon, to acquire manners and language skills. Unlike any other area in Europe, it was Italy that—due to its abundant cultural remains and delightful landscapes—attracted artists and literati. The travelers benefited from the infrastructures of the land and sea routes that were customarily used by merchants for transferring essential trade goods between the countries.

When understood in a figurative sense, traveling could also be substituted by a journey of the mind or soul. This phenomenon was a widespread practice from antiquity to pre-modernity and beyond, whether the spiritual journeys of the Jewish and Christian apocalypses, of Dante and Milton, or the travels of the imagination by the likes Cervantes and Ariosto. Pilgrimages too are celebrated, whether in Jacopo da Voragine’s the Golden Legend, where he describes in detail such journeys in the mind—mentales diaetae—to the tomb of Saint Peter Martyr in Milan with their healing effect for both the pilgrim’s mind and body or the tales of Chaucer.

The conference calls for research from the fields of art history, history, literary history, cultural studies, religious studies, philosophy, classical studies, archaeology, anthropology, geography, social sciences, and beyond. Special attention might be given to the cultural dialogue between East and West. We especially welcome the scholarly exchange between Asian and Western experts. We would also particularly appreciate papers that mark the 700th anniversary of the death of the great Italian poet Dante Alighieri (c. 1265–1321).
Areas of interest may include, but are not limited to the following topics:

The act of traveling and its representation in the arts

The act of traveling and its representation in literature
Cultural travel and tourism
The Grand Tour
Traveling artists
Pilgrimage, physical and spiritual, religious and secular
Pilgrim paths
Travel narrative: travelogues, diaries, travel memoirs, guide books
Illustrations of travel books
Traveling between reality and imagination
Substitutes of traveling: Traveling and pilgrimage in the mind
Traveling in the armchair and its narrative
Traveling between Asia and the West
Travel record literature from Asia
Comparative perspectives on traveling in the East and West
Traveling from and to the Near East
Traveling and pilgrimage in Islamic culture
Women and traveling
Traveling and trade
Discovery of the world: Exploration of foreign countries, cosmography and chorography
Measuring the world: Maps and atlases
Traveling and (early) colonialism
Journeys on health grounds
Forced traveling: Flight, persecution, migration
Traveling and epidemics
We encourage the submission of panel proposals for groups of 3–4 speakers.

Please send a title and abstract of your proposed paper (around 300 words) along with a brief CV to TACMRS.NTNU@gmail.com by 17 January 2021.

There is no registration fee for the conference. Presenters residing in Taiwan should be members of TACMRS. The membership application form can be downloaded from the TACMRS website or can be obtained via email upon request.

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ASCSA Program for Study in Greece

ASCSA PROGRAM FOR STUDY IN GREECE

The American School of Classical Studies at Athens offers incomparable opportunities and programs for graduate students enrolled in US and Canadian institutions to research, travel, and excavate in Greece. Facilities include three major libraries, a scientific laboratory, extensive archives, two excavation study centers at the Athenian Agora and Corinth, and a residence hall in central Athens providing room and board.

The ASCSA accepts and provides fellowships to two categories of students: Regular Members who participate in the full academic year program and Associate Members who pursue independent research.

REGULAR MEMBERS

Application Deadline: January 15, 2021

Eligibility: Students preparing for an advanced degree in classical and ancient Mediterranean studies, post-classical Greek studies, or a related field. Well-qualified students with a B.A. will be considered for admission and fellowships, although preference is given to those who have completed at least one year of graduate study.

Program: The Regular Program runs from early September to late May. The program requires participation in the School’s fall and winter trips, covering much of the Greek mainland and Crete. During the winter, visits to sites in Attica and Euboea, museum visits, and seminars in Athens are required, with some additional trips. In the spring, members may participate in the School’s excavations at Corinth, pursue independent research, and/or participate in optional trips. Regular Members are expected to be in residence at the School throughout the academic year. Please note that applicants accepted for the cancelled 2020-21 program are deferred to the 2021-22 program; this means there is a maximum of six open spaces in the 2021-22 program.

For more information link to: https://www.ascsa.edu.gr/programs/regular-member-program

Fellowships: Fellows receive a cash stipend of $11,500, plus room and board in Athens, and waiver of School fees. Room, board, and other expenses on field trips outside Athens are paid out of the stipend. They are awarded on the basis of transcripts, recommendations and examinations.

Application: An online application and three letters of recommendation must be submitted. Applicants are required to submit pdf scans of academic transcripts as part of the online application. Scans of official transcripts are required. Applicants must also take the qualifying examination. Examinations in ancient Greek translation, history, literature, and archaeology (two of four are required) are held on the first Saturday in February. Information about the application and exams are available at: https://www.ascsa.edu.gr/apply/apply-for-regular-membership

Applications and fellowship information are available online after September 1.
Web site: www.ascsa.edu.gr or https://www.ascsa.edu.gr/programs/regular-member-program
E-mail: application@ascsa.org
Applicants will be notified by mid-March.

ASSOCIATE MEMBERSHIP

Application Deadline: Various and Rolling

Eligibility: Advanced graduate students in classical and ancient Mediterranean studies, postclassical Greek studies, or related fields who have a specific project that requires extended residence in Greece. Candidates for Associate Membership should clearly state their specific reasons for seeking to work at the School.

Program: Generally, Student Associate Members pursue independent research although they may also participate in the activities of the Regular Program when space allows.

Fellowships: Information is available at: https://www.ascsa.edu.gr/apply/fellowships-and-grants. Review and follow the guidelines and deadlines for each specific fellowship application. Only returning or former ASCSA members are eligible for the Advanced Fellowships. Advanced Fellows are expected to share the results of their research in a formal public presentation at the School or elsewhere in Greece.

For first time applicants not applying for a fellowship: An application consists of an application form, letters of recommendation, and a detailed statement of the project to be pursued in Greece submitted online. Applicants are required to submit pdf scans of academic transcripts as part of the online application. For more information about the application, visit the ASCSA web site at: https://www.ascsa.edu.gr/apply/types-of-membership-1.

Applications and fellowship information are available online.
Web site: www.ascsa.edu.gr or https://www.ascsa.edu.gr/apply
E-mail: application@ascsa.org
Applicants for fellowships will be notified by mid-March.

The ASCSA is open generally to qualified students and scholars at colleges or universities in the U.S. or Canada; restrictions may apply for specific programs and fellowships. The ASCSA does not discriminate on the basis of race, age, sex, sexual orientation, color, religion, ethnic origin, or disability when considering admission to any form of  membership or application for employment.

We invite applications to the following program. The specific implementation of all ASCSA programs will depend on all relevant public health advisories.

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Online Dante’s Inferno Course Offered to the Public

You are invited to embark in an extraordinary journey.  This virtual course focuses on one of the most important Italian masterpieces of all time: Dante’s Divine Comedy. By reading the original medieval text (alongside with modern Italian and English translations), students will deepen their understanding of the Inferno by appreciating its moral construction and satirical tradition as well as learning how Dante’s work connects to contemporary morality, literature, music, art, and cinema.

Dr. Nicolino Applauso will teach this 12-weeks course in Italian, which is open to the public, and will start on December 8th, and it will be geared toward the intermediate and advanced students of Italian (of all ages).

More information on the course is here:
https://www.applausoitaliancenter.com/dantes-divine-comedy.html

If interested, please contact applausoitalian@gmail.com

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