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Speculum, Volume 92, Issue S1 (October 2017 Supplement)
The Digital Middle Ages: An Introduction
David J. Birnbaum, Sheila Bonde, and Mike Kestemont
Manuscripts and Images
The History and Provenance of Manuscripts in the Collection of Sir Thomas Phillipps: New Approaches to Digital Representation
Toby Burrows
Scribal Attribution across Multiple Scripts: A Digitally Aided Approach
Peter A. Stokes
Artificial Paleography: Computational Approaches to Identifying Script Types in Medieval Manuscripts
Mike Kestemont, Vincent Christlein, and Dominique Stutzmann
New Light on the Sir Gawain and the Green Knight Manuscript: Multispectral Imaging and the Cotton Nero A.x. Illustrations
Murray McGillivray and Christina Duffy
Mapping
Locating Medieval French, or Why We Collect and Visualize the Geographic Information of Texts
David Joseph Wrisley
Mapping Illuminated Manuscripts: Applying GIS concepts to Lancelot-Grail Manuscripts
M. Alison Stones
Texts and Editions
Bernard of Clairvaux and Nicholas of Montiéramey: Tracing the Secretarial Trail with Computational Stylistics
Jeroen De Gussem
Algorithmic Analysis of Medieval Arabic Biographical Collections
Maxim Romanov
A Quantitative Analysis of Toponyms in a Manuscript of Marco Polo’s Devisement du monde (London, British Library, MS Royal 19 D 1)
Mark Cruse
Digital Corpora and Scholarly Editions of Latin Texts: Features and Requirements of Textual Criticism
Franz Fischer
Multimediality: Space and Sound
Construction–Deconstruction–Reconstruction: The Digital Representation of Architectural Process at the Abbey of Notre-Dame d’Ourscamp
Sheila Bonde, Alexis Coir, and Clark Maines
Soundscapes of Byzantium
Spyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James Donahue
Icons of Sound: Auralizing the Lost Voice of Hagia Sophia
Bissera V. Pentcheva and Jonathan S. Abel
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Sincerely,
The Medieval Academy of America
